I can’t vividly describe the first time I heard ‘I Can Hear You’. There was no situation I found myself in life where the song was playing on the radio and felt a wave of emotion. It just happened when I listened to Factory Showroom in full in 2010 or so. I can’t remember how I felt about the song on that first listen, though revisits to it revealed another noteworthy gem of the group’s within their illustrious discography.
The performance of ‘I Can Hear You’ was recorded at the Edison Historic Site in New Jersey on wax cylinder alongside three other songs on 27th April 1996, explaining the low audio quality of the track. Its thin sound also makes it quite hard to decipher what instruments are being played on it. All these years I never thought there was a bass being played in it, yet close listening made it much clearer. It also has quite a simple yet punchy rhythm to it which makes it that much enjoyable to hear.
The lyrics are sets of dialogue from other low-quality transmissions that you may come across in daily life, whether it be from a passenger in a plane calling a close friend from the sky to those intercom towers you order your food from at a fast-food drive-through. There’s a sad feeling I get from this song, I can’t explain it. There’s something about the sound of it and its cyclical nature – the ‘chorus’ at the beginning of the song comes back around at the end – that sometimes gets to me. It’s far from being one of the band’s best songs. Though I enjoy it a lot. Good tune.
The band replicated the recording process of the song as part of a Millennium special of Jon Stewart’s Daily Show in 1999. This version is just as good, if not probably better, given some string flourishes that enhance its effect.