“Hyper Music” is the fourth track on the band’s second album Origin of Symmetry. A track of ‘pure anger and disregard for affection’ as once said by Matthew Bellamy in Kerrang! magazine, it was released as a double A-side single alongside their cover of “Feeling Good“. The band decided to film two music videos for the two songs too; whilst that of “Feeling Good” had flower petals slowly falling from the sky, “Hyper Music”‘s features very unstable camera handling, extreme close-ups of Matthew Bellamy’s head, and a headbanging crowd for the final chorus.
Still, it is the perfect visual accompaniment to the song’s bouncing energy and aggression. It all begins with a plectrum scratch which becomes more and more distorted before the band enter to launch into the song’s riff. Similar to a lot of early Muse songs “Hyper Music” focuses its attention on a person who Bellamy couldn’t bare to take shit from anymore, this time he totally erases them from his life – regarding them as someone he never loved nor wanted in the first place. Bellamy holds this negativity and exudes it in his wailing vocal performance, with bassist Chris Wolstenholme pulling the strings throughout delivering a powerful ascending bassline that drives the song’s momentum.
A great track. One that, admittedly, I like a lot better when I was younger. But still a headbanging listen all the way.
Tomorrow comes the last of the H’s and I don’t know whether to feel relieved or saddened by this. Will keep you updated.